Watchmen

In about 24 hours from right now, I'll be sitting in a movie theater. But for now, I'm gonna admit something I'm quite frankly, very embarrassed about admitting in public: I barely finished reading Watchmen just last month.

I've been reading and collecting comics for almost six and a half - going on seven years now. The nerd in me feels like I should have read this book long ago. It's like I'm losing my "street cred," my "nerd membership," or something. It just feels wrong that I discovered comics and really got into the medium, but had never read the one story that many of today's creators and the works they've spawned have been influenced by.

Just last year, or maybe even the year before, I inadvertently found out which character it is who in fact 'watches the Watchmen.' Or, if you'd like the simpler, less verbose sentence, a piece of the ending was spoiled for me. At first, I was pissed, but then realized that it was my own fault. Spoilers have a statute of limitations, and I should have had already read it. However, just this past weekend during WonderCon, some things were put into perspective for me even more so.

Waiting anxiously in line to get into the con's exhibition hall on Friday, I struck up a conversation with the guy in front of mr in line. He seemed like a nice enough guy, I invited him to come out to the Isotope's Tiki Tour. I had already invited some friends to come out anyway, so I figured, why not?

These friends, with the exception of one, don't read very many comics, but practically all of them have read Watchmen by now.

Anyhow, during the Tiki Tour, as you would expect, talk of Watchmen the book, and the movie turned up in conversation a couple times. It got hard to believe when I found out that this guy wasn't a particular fan of Moore and Gibbons' book. If that wasn't enough, he'd rag on it every chance he'd get. There was also a point when he mentioned that when he saw the movie's first trailer he was excited until he realized what it was. True, he was drunk for most of the night (it was a pub crawl after all, and I had a nice buzz most of the night), but there is only so much disagreement you can take. He mentioned how much he hated the stuff about the Black Freighter, and I responded "but that's one of the best parts." That the other different tangents Watchmen goes into are some of people's favorite parts, as well.

I internalized how my friends who don't read comics, but have read Watchmen recently, absolutely love the book. It really left me at a lost, and since this guy was really buzzing, and we were out there for a good time, going into an even deeper discussion just wasn't worth the bother.

Later that night, my friend, Jamie (the one friend in the group who reads comics more regularly than the others), pointed out that maybe the guy just didn't get "it" about the book, and instead of saying "I don't get it," and coming off as a fool and/or dumb, and without even knowing (or maybe he is conscious of it), just sticks with the opinion that the book isn't that great.

Looking back now, I think I might be grateful I didn't read Watchmen til just recently. Maybe I wouldn't have comprehended certain portions or just wouldn't get "it" in general.

People are of course, entitled to their own opinions, but even now, I'm wondering what does he read on a regular basis? What is on his pull-list at his LCS? What, if any, comic book that gave him pause, that broke through, that made him think. What comic book out there has reached out to him?

For some people, it's Watchmen. For others, Watchmen might not be the one, but I'd bet they'd rank it pretty high. Then there's those that have no care for Watchmen at all, like this guy. There are also those who might not "get" Watchmen, but I reckon they at least recognize the comic's importance.

I'm pretty sure this guy doesn't even recognize its importance, and that's the weird thing. All that said, my anticipation for this movie couldn't be higher, and midnight Thursday night can't get here fast enough.

Milk

No one should be surprised at the influx of good movies that should be seen this winter season, because that's usually how it always is. It's prime restate for Oscar contenders. Why do you think Warner Bros. is re-releasing The Dark Knight in January?

As mentioned in my previous entry, I saw Milk on Saturday, yesterday. I lived in San Francisco for two years, and you don't live in the city and can't get choked up by this film if you know this city, regardless of sexual orientation.

Harvey Milk, and what he helped to accomplish is a huge part of San Francisco history, and the Bay Area at large. With what is going on socially in our country right now, this film is especially poignant.

The whole thing about past being prologue couldn't be any truer now than it ever has. California's Prop. 8 in 2008 is an evolution of what California faced when Milk led the charge against Prop. 6 in 1978.

With the issues that the country is going through, as far as socially, economically, and abroad, it is, personally, a little weird, unnerving, and yet an exciting time that we are living in right now. There's always talk about doing something, about changing things, and about hope. And then there comes the time when it's actually happening in front of you, and you are seeing it with your own two eyes.

Gus Van Sant and Sean Penn are at the top of their game here. Van Sant blends some actual newsreel/stock footage from the 70s' into the narrative. It's not a technique that no one hasn't seen before, but when executed well, the result is nothing but gravy. The last time I saw it done was well was George Clooney's Good Night, and Good Luck a few years back.

As usual, you can always count on Josh Brolin to be good in roles as the antagonist and/or very-layered arc types, and he does it well here again playing Milk's and Mayor George Moscone's eventual killer, San Francisco Supervisor Dan White.

Penn's performance is very warm, and with a lot of heart, and is unmistakably Harvey Milk, and although Prop. 8 may have passed in November, it really is nothing more than a speed bump. Just look at who was elected President in the same election. As Milk stressed constantly, "you gotta give 'em hope." This bio-pic does what other good bio-pics do, it inspires.

What needs to be seen: A few choice reviews.

I was able to catch preview screenings of Clint Eastwood's Gran Torino and David Fincher's The Curious Case of Benjamin Button. The protagonist in both films undergo very fascinating experiences through different means, but the themes in both films are similar in ways as well. I won't tell you what they are, because that'd be telling.

Clint Eastwood's Walt Kowalski and Brad Pitt's Benjamin Button reach certain viewpoints of the world, with the main crux of each film is particularly focused on unlocking the untold and mysterious aspects of both protagonists.

Walt Kowalski is such an engaging character. That despite being as old and old-fashioned as he is, his mind and heart are as strong as ever.

Benjamin Button is the kind of character who lives such an extraordinary life that you have to wonder if a person like this actually exists.





Both films are well written, produced, and directed, but it's leads in Eastwood and Pitt that bring an energy and magnetism to their roles that really pushes their respective films over the top. To that end, both films must be seen.

Tomorrow, I plan on seeing Gus Van Sant's Milk. Which is another film with a primary focus on a very magnetic protagonist, except for the fact that it's based on a real-life person. I've been wanting to see this for the longest time, in anticipation, and I don't think it'll disappoint. I'm sure I'll post a write-up on this in the next couple days.










Also, another recommendation to pass along: Phonogram 2: The Singles Club #1. This bad boy came out last week, but haven't had a chance to plug this. If you love music, dig magic, and think comics are cool, then you really need to read this comic book. By all means, you should pick up the first Phonogram series, but you don't necessarily need it to enjoy what's going on in this second series.

Taste

A few weeks ago, I started thinking about a few things in regard to the kinds of taste that we as comic book readers and moviegoers have, and after writing it up, I sent it to a friend, and... well, more after the quote box. Here's what I had initially written followed by some after thought type stuff:

I work a few days of the week at my local comic book shop. A few weeks back I overheard a couple customers and the owner of the shop, talk about the Barman R.I.P. storyline. I wasn’t particularly paying attention until one of those customers made an off-handed comment about Superman: “That’s why Superman sucks.”

A little while before I had also overheard another customer with his little brother or cousin, the elder one probably mid to late twenties, and the little bit of their conversation that I overheard ended with that Superman “is just too invulnerable to relate to.”

As far as some readers out there not “getting” Superman, I in turn don’t really understand: what isn’t there to get? But that’s the thing about personal preference, isn’t it? We all have different taste, and not every single one of us is going to agree on things. Superman is a God-like figure. His personal story, and how he came to earth is such an epic origin. Superman’s biological parents sent their only son into the galaxy’s vast unknown, and onto a world where he would possess powers beyond ordinary men. Batman’s origin is rooted in a deep-seeded yearning to avenge his parents’ death. Wonder Woman’s mother sculpted her from clay. There have been numerous men to hold the Flash mantle; so much so, there’s a museum dedicated to the hero. There is an innumerable amount of Green Lanterns in the universe, yet through the years there have been a handful of Lanterns to occupy sector 2814. The strength of the DCU is that their characters and their stories are inherently epic.

On the other side of the street is the Marvel Universe. Most of Marvel’s characters don’t seem as epic, and are as normal as can be, but somehow find themselves in extraordinary circumstances. Peter Parker was a kid part of a middle class family, who like anyone else has their ups-and-downs. He’s given these wonderful abilities, and yet experiences heartache and tragedy over and over again. The Fantastic Four are a family of science, and instead of dying out in space in an explosion; they come back to earth with abilities given because of that explosion. Steve Rogers was a soldier enlisting in a war that he believed our country had to absolutely win. Their stories just seem to resonate on a more personal level.

I’ve only been reading and collecting comic books since 2002, and still think I’m only just scratching the surface of what comics can offer. For that first year or so, I got into comics mostly reading DC books, and some Marvel books, too. But I didn’t start expanding my reading material beyond the big two universes until I picked up on Y: The Last Man. I found it unique in not only that it didn’t have any capes, but also in it’s execution.

Alfred Hitchcock is my favorite director. I saw Psycho for the first time in 9th grade. In fact, some of my friends and I had recreated the film for a short stage play for our drama class, with one of them suggesting we do Psycho. And as it was my job to translate the script to fit our play, I had to dissect the characters, story, and plot, and then help perform the play itself. I made the realization of not only discovering how awesome film really can be, but it was what inspired me enough to think I can aspire to be a screenwriter / filmmaker. I had that same wide-eyed look of wonder when I first started reading Y as I had when first watching Psycho.

Being the film nerd that I am, I can really dig old black and white films, but I have friends –who aren’t into classic cinema/studio era films– that just can’t sit through black and white films. Adversely, I once had a film professor that believes that the films of today are nowhere near as creative as they once were in the studio era. Another film professor –last time I heard– had seen Citizen Kane eighty-four or eighty-five times. It’s likely that number is up closer to ninety by now. When discussing film noir with a friend of mine recently, he mentioned that although he realizes and appreciates all of what Citizen Kane brought to cinema, the film itself just wasn’t his cup of tea. It’s totally understandable. I’ve seen the film four times, but I ended up somehow taking a power nap during the second act in each of the last two viewings. Yet I do geek out at specific scenes just like anyone else who comes across their favorite scenes in their favorite stories. Citizen Kane is a favorite film of mine, but it’s not as high on my list as it would be on my old professor’s. I understand why it’s so great, but I also understand how tedious it might seem to most.

I started out reading primarily DCU books, but gradually, my taste widened. I still gravitate mostly toward DCU books, but there are a little more Marvel and creator-owned/ independent books thrown in here and there. Everyone has their own preferences in a myriad of things, not the least of which are comics. Sometimes as I try to figure out how a character in a story ticks, it somehow bleeds into how I might analyze a work in general.

People are the most fascinating creatures on the planet, and I can’t seem to ever be surprised by that. You can get two totally different reviews of a comic from two different friends, and each argument raises valid points. So what makes one person’s opinion more valid than the other? Well, if you have to choose one, then you’re likely to choose the opinion from the person you trust most. But what you must also consider is which person best realizes the appeal of the story and/or the character(s). But in the end, each one of us will read or watch what we read or watch because it’s what we like; or whatever the reason may be. It’s just fun trying to figure out why someone’s taste is different from your own. It helps you understand your taste, and help gauge whether or not your taste changes from time to time.

When sharing my thoughts on this with a friend of mine a couple weeks back, he pointed out that my argument just seemed, well, obvious. And of course, he’s absolutely right, but I just wonder if readers out there that are willing to try to understand characters and stories that aren’t necessarily to their taste. I’d like to think that I would, and have tried to give my best college effort to understanding material that others have no taste for. I also like to think of myself as a good observer of things, as someone who can read a particular situation well. Maybe I’m just a big softie, but there is underlying merit to the stories that we read, watch, and hear about, and the characters that inhabit them. Sometimes, I just wish that people’s tastes were broader than they are, and those characters and stories that are not to a particular person’s exact taste not be immediately dismissed.

50 Things I Love About Comics

So after reading a few posts off of 4th Letter (which in turn David had found from blake-reitz.livejournal.com), I decided, what the hey, I'll jump on the meme.

So here are my 50 Things I Love About Comics. The list is comprised of single issues of particular titles, titles themselves or GN's, comic properties in other media, creators themselves, and a quote that I don't think I'll really ever get tired of. Some of the items may actually cross-over with one another, but whatever. Here's the list:



1. Y: The Last Man #60
2. Gotham Central #37
3. Seven Soldiers #1
4. Gotham Central #12
5. Infinite Crisis #4
6. The Spirit #6 (Darwyn's run)
7. Tiny Titans #1
8. Captain America #25 (vol. 5)
9. Ex Machina #1
10. Solo #10 (Damian Scott issue)
11. Detective #787
12. Captain America #10 (vol. 5)
13. Y: The Last Man #58
14. Batman #603
15. Amazing Spider Man #36 (vol. 2)

16. New Gods/4th World
17. Runaways
18. Teen Titans Judas Contract
19. Pride of Baghdad
20. Black Hole
21. The Pro
22. Scott Pilgrim
23. DC: The New Frontier
24. Transmetropolitan
25. Phonogram
26. Suburban Glamour
27. Astonishing X-Men (Whedon & Cassaday)
28. XXXombies
29. Crisis on Infinite Earths
30. 52

31. “I’m the Goddamn Batman!”

32. Batman: The Animated Series
33. The Dark Knight
34. Spider-Man 2
35. Iron Man
36. American Splendor
37. Superman: The Movie

38. Brian K. Vaughan
39. Geoff Johns
40. Grant Morrison
41. Adrian Tomine
42. Pia Guerra
43. Tony Harris
44. Ed Brubaker
45. Tim Sale
46. Terry Dodson
47. Darwyn Cooke
48. JH Williams III
49. Jack Kirby

50. Twitter (what better way to keep tabs on most comic creators these days)

WonderCon 2008

So WonderCon has come and gone once again, and once again, I got to hang out and talk with a few Caballeros/Castaways. Last year, it was Triggerman that I hung out with most. Unfortunately, he's back home on the other side of the Atlantic. The same with Nick I.. And of course, Old Man Harris. But not all was lost. This year I got to hang out with fellow Castaway, Kedd. Also another change was the fact that I don't live in San Fran anymore, so my buddy James and his roommates put me up for the weekend.

Anyway, now for some of my Personal Highlights

-Meeting Darwyn Cooke on Thursday night at the Isotope and finding out -among other things- that Cooke and I are both Clash fans, and that his New Frontier character design of Captain Cold is based off Grant Morrison.

-Getting Darwyn Cooke to John Hancock my Absolute New Frontier, as well add a sweet image of the Spirit to the noir sketch book.

-Having a blast at the Get Smart panel.

-Visited Carrie and Stephanie's table, and picked up some of their awesome work.

-"My father doesn't love me."

-Finding out the main reason why Kedd's is able to maintain such a high post count.

-Being present at the DC panel that Kedd made Didio momentarily speechless as well as the moment Bagley called Kedd a trouble maker.

-Watching DC's New Frontier

-The Iron Man movie panel.

-Getting a helluva lot of new reading material throughout the weekend.

-Conversing with Mikie from the 'ol BKV Board. (He has yet to register onto Harris' new board.) Talked some really good stuff with him at both shin digs first at the Isotope on Friday, and then especially good stuff on Saturday.

-On Saturday, I went to Trad'r Sam for the first time since May of last year. This time with James (guy w/darkened Raiders cap) and crew. For Arvin (far left), it was his first time ever at Trad'r Sam, and he didn't listen to our warnings of just how strong Trad'r Sam drinks are. Yeah, he got messed up. But I on the other hand, am happy to report that I actually did a good job of getting a real good buzz, and yet, not getting defeated by the dreaded Scorpion Bowl.

-Getting a couple Tiny Titans posters from the DC Booth. Some of them are for my nieces and nephews, I swear.

-Here's a quote from James Sime's Twitter that best describes the mass of people from Saturday night.

-Seeing so many Castaways (unfortunately except for Capntightpants and Christopher)

-And getting Mark Bagley to add an utterly bad ass noir Batman to the sketchbook.

Good times. Good times. Good times. I usually take a lot of pictures when out on the town, but for some reason, not all that much in the span of four days... Probably because I "feel" more photogenic, and camera trigger happy when I have more than just a good buzz. Oh well.

Here be the rest of the weekend's photos.

EDIT on Weds. Feb 27: Forgot to add the highlight of chit-chatting it up with Brian Wood, and getting him to sign my first two issues of DEMO, and vol. 1 of DMZ. Awesome guy.

Peope are Fascinating

By far and away, what fascinates me most in this world are people. We are all different in our personalities, our wants, our dislikes, our geography, education, religious affiliations, ethnicity, history, everything. The people that I've met in my life so far are inspiration for what I'm trying to do with my life, which is write.

Last month, there was a week in which I encountered three situations that interested me to no end. I can't exactly remember in what order these instances happened, but the first instance to mention was when I was waiting outside the restroom in the food court in a mall here in San Jose. The janitor was already in the process of cleaning up the men's room, and a couple other guys came by after me looking to use the bathroom as well. One of them some teenager. First thing I noticed was his uniform; he worked at the mall's theater above the food court. Then he asks me if "this the line?"

I look at his face, and his left eye is absolutely red. As if he popped a blood vessel within the last day or so. I was taken aback, but I quickly answered that it was, or is, in that instant. Then he walked back into the hallway meant only for mall employees, and came back a minute or two later. As he walked by me, he whispered, "Have fun waiting in line."

I wanted to slap that kid upside the fuckin head.

Then I wondered if he was acting dickish because that's who he is, or if it was because he noticed my surprise when first I saw his eye. Either way, I hope his eye specialist/doctor overcharged him for treatment.

Another instant was when I was an a comic shop, and overheard a couple looking for two issues of a particular Star Wars comic series for their son or nephew.

"Two-ninety-nine?" He said to the girl. "That's cheap!"

I smiled, and tried so hard to keep from rolling on the ground, and laughing out loud.

Then that leaves a time when I was an another comic shop, also in San Jose, and the employee at the shop was talking to a friend of his, and not a minute after I walk in, the friend blurts out the fate of a character in There Will Be Blood. And I assumed the character they were talking about was "character x." I hadn't seen the film yet, and I wanted to wring out both of their necks. Fast forward to today. I finally got to see the film.

I walked into the theater anticipating the fate of "character x." Low and behold, "character x" was not who the employee and the friend were talking about, but another character. Even though everything turned out okay, there's still a little part of me that feels the same way that I felt that day in the comic shop: there are people in this world that just don't have any common courtesy or sense of urgency. The two people in the shop that day likely have more courtesy than most, but damn if I didn't wanna call the two of them a pair of asses when I left.

All in all, people are fascinating.

Viral Marketing article

Don't have a lot of time to devote to this entry, but this bad boy deals with how the marketing for The Dark Knight and Cloverfield has gone down this year, and plus marketing a film in general. Dig it!

http://boxoffice.com/distribution/2007/12/viral-marketing-promotion.php

Scream

So late Sunday night, and into Monday morning at about 1:30 in the am, I was about to go to bed, but needed something to fall asleep to. I turned on the tv, and rediscovered a nice little movie that was just starting on one of the movie channels: Scream.

I ended up staying up until 3:30 watching the entire film. It would've been nice to have just TiVo'd it, but I TiVo'd a whole mess of Buster Keaton films from last week, and hadn't watched all of them yet, so I stayed up... Besides, I haven't watched a horror movie during the middle of the night since I watched the first two Evil Dead films on consecutive nights a couple years back. Anyway, this time I watched Scream with a new pair of eyes. I mean I feel that I now can appreciate films on a whole nother level post-film school. [Insert warm and fuzzy feeling]

Scream is smart and satirical of the horror genre. And in so doing, it plays right in line with the rules of horror films. But it also sees fit to break some of them: The killer(s) are motivated by the disintegration of the family, and a need to -in some way- rectify it all. And adversely: despite not being a virgin anymore, the heroine lives through the ordeal.... *sigh* Phew, here I was thinking that three months after graduating, it would've all went out the other ear by now...

Kevin Williamson's structure is awesome, the execution by Wes Craven is great, and this is why I love horror movies. It has the ability to tell a good story with the ability to scare the shit outta you, and also doesn't take itself too seriously. But more than anything: it's quite intelligible. Scream is part of the genre that is the teen-slasher movie, but beyond that, its intelligence is what makes it just as good now as it was when it was originally released. My money is that it will still hold up well in the years to come.